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× Nomi Coupe, Laurence <1950->
× Soggetto Environmental policy in literature.
× Nomi Sammells, Neil.

Trovati 3 documenti.

How poets see the world
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Libri Moderni

Spiegelman, Willard.

How poets see the world : the art of description in contemporary poetry / Willard Spiegelman.

New York : Oxford University Press, 2005.

Abstract: Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work. Description has been the great burden of poetry. How do poets see the world? How do they look at it? What do they look for? Is description an end in itself, or a means of expressing desire? Ezra Pound demanded that a poem should represent the external world as objectively and directly as possible, and William Butler Yeats, in his introduction to The Oxford Book of Modern Verse (1936), said that he and his generation were rebelling against, inter alia, "irrelevant descriptions of nature" in the work of their predecessors. The poets in this book, however, who are distinct in many ways from one another, all observe the external world of nature or the reflected world of art, and make relevant poems out of their observations. This study deals with the crisp, elegant work of Charles Tomlinson, the swirling baroque poetry of Amy Clampitt, the metaphysical meditations of Charles Wright from a position in his backyard, the weather reports and landscapes of John Ashbery, and the "new way of looking" that Jorie Graham proposes to explore in her increasingly fragmented poems. All of these poets, plus others (Gary Snyder, Theodore Weiss, Irving Feldman, Richard Howard) who are dealt with more briefly, attend to what Wallace Stevens, in a memorable phrase, calls "the way things look each day." The ordinariness of daily reality is the beginning of the poets' own idiosyncratic, indeed unique, visions and styles.

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Libri Moderni

Garrard, Greg.

Ecocriticism / Greg Garrard.

2nd ed.

Abingdon, Oxon ; New York : Routledge 2012

The new critical idiom.

Abstract: Ecocriticism explores the ways in which we imagine and portray the relationship between humans and the environment in all areas of cultural production, from Wordsworth and Thoreau through to Google Earth, J.M. Coetzee and Werner Herzog's Grizzly Man. Greg Garrard's animated and accessible volume traces the development of the movement and explores its key concepts, including: pollution, wilderness, apocalypse, dwelling, animals, and earth. Featuring a newly rewritten chapter on animal studies, and considering queer and postcolonial ecocriticisms and the impact of globalisation, this fully updated second edition also presents a glossary of terms and suggestions for further reading in print and online. Concise, clear, and authoritative. Ecocriticism offers the ideal introduction to this crucial subject for students of literary and cultural studies.

The song of the earth
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Libri Moderni

Bate, Jonathan.

The song of the earth / Jonathan Bate.

London : Picador [2000], ©2000

Abstract: In the insightful style that characterised the successful The Genius of Shakespeare, Jonathan Bate has written a series of pieces on the link between literature and the environment, such as the importance of nature in literature. This account of literature's relationship with the environment considers how words like "culture" and "environment" have evolved. It offers ideas on how interest in ecology has developed and how literature has influenced our perception of environmental issues.