Trovati 78 documenti.
Trovati 78 documenti.
London : Routledge 2018
Abstract: Gender and Digital Culture offers a unique contribution to the theoretical and methodological understandings of digital technology as inherently gendered and classed. The silences within, through and from the systems we experience every day, create inequalities that are deeply affective and constitute very real forms of algorithmic vulnerability. The book explores these lived and mundane algorithmic vulnerabilities across three interrelated research projects. These focus on recent digital phenomena including sexting, selfies and wearables, and particular decision-making systems used in health, education and social services. Central to this book are the themes of irreconcilability and the datalogical. It makes the case that feminism and gender politics have become increasingly irreconcilable with not only long-running debates around representation and embodiment, but also with conceptions of the technological, conceptions of the user and of the systems themselves. In keeping with longstanding feminist scholarship, these irreconcilabilities can be productive and generative; they can be used to interrogate the power politics of digital culture. By studying the lived and routine elements of digital technologies, Gender and Digital Culture asks about the many convolutions that are held together through the everyday use of these technologies, and the implications for how gender and technology are approached, discussed and theorised.
Torino : Giappichelli, c2018
Studi di Diritto Internazionale Umanitario e dei Conflitti Armati
Cham : Springer International Publishing : Imprint: Springer 2018
Studies in the history of law and justice ; v. 15.
Abstract: This peer-reviewed book features essays on the Armenian massacres of 1915-1916. It aims to cast light upon the various questions of international law raised by the matter. The answers may help improve international relations in the region. In 1915-1916, roughly a million and a half Armenians were murdered in the territory of the Ottoman Empire, which had been home to them for centuries. Ever since, a dispute between Armenians and Turkey has been ongoing over the qualification of the massacres. The contributors to this volume examine the legal nature and consequences of this event. Their investigation strives to be completely neutral and technical. The essays also look at the broader issue of denial. For instance, in Turkey, public speech on the matter can still trigger criminal prosecution whereas in other European States denial of genocide, war crimes and crimes against humanity is criminalized. However, the European Court of Human Rights views criminal prosecution of denial of the Armenian massacres as unlawful. In addition, one essay considers a state’s obligation to remember by looking at lessons learnt from the Inter-American Court of Human Rights. Another contributor looks at a collective right to remember and some ideas to move forward towards a solution. Moreover, the book explores the way the Armenian massacres have affected the relationship between Turkey and the European Union.
London : Vintage 2017
Abstract: Over the past century humankind has managed to do the impossible and rein in famine, plague, and war. For the first time ever, more people die from eating too much than from eating too little; more people die from old age than from infectious diseases; and more people commit suicide than are killed by soldiers, terrorists and criminals put together. The average American is a thousand times more likely to die from binging at McDonald's than from being blown up by Al Qaeda. What then will replace famine, plague, and war at the top of the human agenda? As the self-made gods of planet Earth, what destinies will we set ourselves, and which quests will we undertake? Homo Deus explores the projects, dreams and nightmares that will shape the twenty-first century -- from overcoming death to creating artificial life. It asks the fundamental questions: Where do we go from here? And how will we protect this fragile world from our own destructive powers?
Nova Science Publishers
London ; New York : Routledge, 2016
Anglo-Italian Renaissance Studies
Abstract: Shakespeare and Venice is the first book length study to describe and chronicle the mythology of Venice that was formulated in the Middle Ages and has persisted in fiction and film to the present day. Graham Holderness focuses specifically on how that mythology was employed by Shakespeare to explore themes of conversion, change, and metamorphosis. Identifying and outlining the materials having to do with Venice which might have been available to Shakespeare, Holderness provides a full historical account of past and present Venetian myths and of the city's relationship with both Judaism and Islam. Holderness also provides detailed readings of both The Merchant of Venice and of Othello against these mythical and historical dimensions, and concludes with discussion of Venice's relevance to both the modern world and to the past.
Cham, Switzerland : Springer Open 2015
New York Munich : International Center of Photography ; DelMonico Books-Prestel 
Abstract: Roman Vishniac Rediscovered is a comprehensive reappraisal of Vishniac's total photographic output, from his early years in Berlin through the postwar period in America. The exhibition is drawn from the Roman Vishniac archive at ICP and serves as an introduction to this vast assemblage comprising more than 30,000 objects, including recently discovered vintage prints, rare moving film footage, contact sheets, personal correspondence, and exhibition prints made from his recently digitized negatives. Content: Over 220 framed objects including vintage gelatin silver and platinum prints and contemporary prints from Vishniac's original negatives, as well as over 150 ephemeral objects and 5 audiovisual elements. Drawn from the International Center of Photography's vast holdings of work by Roman Vishniac (1897-1990), this expansive volume offers a new and profound consideration of this key modernist photographer. In addition to featuring Vishniac's best-known work-the iconic images of Jewish life in Eastern Europe before the Holocaust-this publication also introduces many previously unpublished photographs spanning more than six decades of Vishniac's work. These include newly discovered images of prewar Berlin, rare film footage from rural Jewish communities in Carpathian Ruthenia, documentation of postwar Displaced Persons' camps and vivid coverage of Jewish life in America in the 1940s and '50s. Essays by world-renowned scholars of photography, Jewish history and culture address these new-found images and consider them in the context of modernist tendencies in Berlin in the 1920s and '30s; the rise of Nazi power in Germany and Eastern Europe; the uses of social documentary photography for relief organisations; the experiences of exile, displacement and assimilation; and the impact of Vishniac's pioneering scientific research in colour photomicroscopy in the 1950s and '60s. This first retrospective monograph on Roman Vishniac offers many new perspectives on the work and career of this important photographer, positioning him as one of the great modernists and social documentary photographers of the last century. Published in association with the International Center of Photography.
Bloomington : Indiana University Press 
Abstract: Jewish art and visual culture-art made by Jews about Jews-in modern diasporic settings is the subject of Looking Jewish. Carol Zemel focuses on particular artists and cultural figures in interwar Eastern Europe and postwar America who blended Jewishness and mainstream modernism to create a diasporic art, one that transcends dominant national traditions. She begins with a painting by Ken Aptekar entitled Albert: Used to Be Abraham, a double portrait of a man, which serves to illustrate Zemel's conception of the doubleness of Jewish diasporic art. She considers two interwar photographers, Alter Kacyzne and Moshe Vorobeichic; images by the Polish writer Bruno Schulz; the pre- and postwar photographs of Roman Vishniac; the figure of the Jewish mother in postwar popular culture (Molly Goldberg); and works by R. B. Kitaj, Ben Katchor, and Vera Frenkel that explore Jewish identity in a postmodern environment.
New York : Routledge 2015.
Routledge studies in cultural history ; 37
Abstract: This volume explores literary and material representations of Jews, Jewishness and Judaism from antiquity to the twenty-first century. Gathering leading scholars from within the field of Jewish Studies, it investigates how the debates surrounding literary and material images within Judaism and in Jewish life are part of an on-going strategy of image management - the urge to shape, direct, authorize and contain Jewish literary and material images and encounters with those images - a strategy both consciously and unconsciously undertaken within multifarious arenas of Jewish life from early modern German lands to late twentieth-century North London, late Antique Byzantium to the curation of contemporary Holocaust exhibitions.
New York : Routledge 2015
Abstract: The new edition of this influential work updates and expands the scope of the original, including more sustained analyses of individual films, from The Birth of a Nation to The Wolf of Wall Street. An interdisciplinary exploration of the relationship between American politics and popular films of all kinds-including comedy, science fiction, melodrama, and action-adventure-Projecting Politics offers original approaches to determining the political contours of films, and to connecting cinematic language to political messaging. A new chapter covering 2000 to 2013 updates the decade-by-decade look at the Washington-Hollywood nexus, with special areas of focus including the post-9/11 increase in political films, the rise of political war films, and films about the 2008 economic recession. The new edition also considers recent developments such as the Citizens United Supreme Court decision, the controversy sparked by the film Zero Dark Thirty, newer generation actor-activists, and the effects of shifting industrial financing structures on political content. A new chapter addresses the resurgence of the disaster-apocalyptic film genre with particular attention paid to its themes of political nostalgia and the turn to global settings and audiences. Updated and expanded chapters on nonfiction film and advocacy documentaries, the politics of race and African-American film, and women and gender in political films round out this expansive, timely new work. A companion website offers two additional appendices and further materials for those using the book in class.
Leiden : Brill 
Abstract: The Companion to the Hanseatic League discusses the importance of the Hanseatic League for the social and economic history of pre-modern northern Europe. Established already as early as the twelfth century, the towns that formed the Hanseatic League created an important network of commerce throughout the Baltic and North Sea area. From Russia in the east, to England and France in the west, the cities of the Hanseatic League created a vast northern maritime trade network. The aim of this volume is to present a 'state' of the field English-language volume by some of the most respected Hanse scholars. Contributors are Mike Burkhardt, Ulf Christian Ewert, Rolf Hammel-Kiesow, Donald J. Harreld, Carsten Jahnke, Michael North, Jürgen Sarnowsky and Stephan Selzer
Durham : Duke University Press 2013
Abstract: In an era of irregular labor, nagging recession, nuclear contamination, and a shrinking population, Japan is facing precarious times. How the Japanese experience insecurity in their daily and social lives is the subject of Precarious Japan. Tacking between the structural conditions of socioeconomic life and the ways people are making do, or not, Anne Allison chronicles the loss of home affecting many Japanese, not only in the literal sense but also in the figurative sense of not belonging. Until the collapse of Japan's economic bubble in 1991, lifelong employment and a secure income were within reach of most Japanese men, enabling them to maintain their families in a comfortable middle-class lifestyle. Now, as fewer and fewer people are able to find full-time work, hope turns to hopelessness and security gives way to a pervasive unease. Yet some Japanese are getting by, partly by reconceiving notions of home, family, and togetherness.
New York ; London : Bloomsbury 2013
International texts in critical media aesthetics ; 5
Abstract: Software has replaced a diverse array of physical, mechanical, and electronic technologies used before 21st century to create, store, distribute and interact with cultural artifacts. It has become our interface to the world, to others, to our memory and our imagination - a universal language through which the world speaks, and a universal engine on which the world runs. What electricity and combustion engine were to the early 20th century, software is to the early 21st century. Offering the the first theoretical and historical account of software for media authoring and its effects on the practice and the very concept of 'media,' the author of The Language of New Media (2001) develops his own theory for this rapidly-growing, always-changing field. What was the thinking and motivations of people who in the 1960 and 1970s created concepts and practical techniques that underlie contemporary media software such as Photoshop, Illustrator, Maya, Final Cut and After Effects? How do their interfaces and tools shape the visual aesthetics of contemporary media and design? What happens to the idea of a 'medium' after previously media-specific tools have been simulated and extended in software? Is it still meaningful to talk about different mediums at all? Lev Manovich answers these questions and supports his theoretical arguments by detailed analysis of key media applications such as Photoshop and After Effects, popular web services such as Google Earth, and the projects in motion graphics, interactive environments, graphic design and architecture. Software Takes Command is a must for all practicing designers and media artists and scholars concerned with contemporary media.
Oxford : Oxford University Press 2013
Abstract: Drawing on a wide range of social and psychological theories, Castells presents original research on political processes and social movements. He applies this analysis to numerous recent events - the misinformation of the American public on the Iraq War, the global environmental movement to prevent climate change, the control of information in China and Russia, Barack Obama's internet-based presidential campaigns, and (in this new edition) responses to recent political and economic crises such as the Arab Spring and the Occupy movement. On the basis of these case studies he proposes a new theory of power in the information age based on the management of communication networks. We live in the midst of a revolution in communication technologies that affects the way in which people feel, think, and behave. The media have become the space where power strategies are played out. In the current technological context mass communication goes beyond traditional media and includes the Internet and mobile communication. In this wide-ranging and powerful book, Manuel Castells analyses the transformation of the global media industry by this revolution in communication technologies. He argues that a new communication system, mass self-communication, has emerged, and power relationships have been profoundly modified by the emergence of this new communication environment. Created in the commons of the Internet this communication can be locally based, but globally connected. It is built through messaging, social networks sites, and blogging, and is now being used by the millions around the world who have access to the Internet.
Cambridge : Cambridge University Press 2013
Abstract: Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these 'literary' texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays. This revised and updated edition includes a new and substantial preface that reviews and intervenes in the controversy the study has triggered and lists reviews, articles and books which respond to or build on the first edition.
Princeton : Princeton University Press 
Abstract: Cities of Commerce develops a model of institutional change in European commerce based on urban rivalry. Cities continuously competed with each other by adapting commercial, legal, and financial institutions to the evolving needs of merchants. Oscar Gelderblom traces the successive rise of Bruges, Antwerp, and Amsterdam to commercial primacy between 1250 and 1650, showing how dominant cities feared being displaced by challengers while lesser cities sought to keep up by cultivating policies favorable to trade. He argues that it was this competitive urban network that promoted open-access institutions in the Low Countries, and emphasizes the central role played by the urban power holders--the magistrates--in fostering these inclusive institutional arrangements. Gelderblom describes how the city fathers resisted the predatory or reckless actions of their territorial rulers, and how their nonrestrictive approach to commercial life succeeded in attracting merchants from all over Europe. Cities of Commerce intervenes in an important debate on the growth of trade in Europe before the Industrial Revolution. Challenging influential theories that attribute this commercial expansion to the political strength of merchants, this book demonstrates how urban rivalry fostered the creation of open-access institutions in international trade.
Milan, Italy : 5 Continents Editions [2013?]
Abstract: Lavishly illustrated throughout, this collection of essays honours the scholarship and publications of Patricia Fortini Brown, one of the pre-eminent scholars of Venetian art and history and professor emerita in the Department of Art and Archaeology at Princeton University. The essays address topics that range from painted Venetian narrative cycles of the late fifteenth century to the rebuilding of the Campanile in the early twentieth century. Each contribution adopts Fortini Brown's academic approach to the art of Renaissance Venice, examining objects, images and texts to reveal how meaning in Venetian art can be as fluid as the city's natural environment. The transformative qualities of Venetian art and architecture are cast in various lights, creating the opportunity for new reflections on artists as diverse as Mantegna, the Bellini family, Giorgione, Pietro Lombardo, Veronese, Palladio and Piranesi. Fortini Brown's interest in material culture is reflected in essays that address the use of religious objects in the domestic realm, where to shop for antiquities and the market in gems in Cinquecento Venice. Copious colour illustrations bring the essays to life. Inspired by Patricia Fortini Brown's scholarship and teaching, the volume is derived from papers given in Fortini's honour in 2010 at the Renaissance Society of America in Venice and at the Giorgione Symposium held at Princeton University on the occasion of Fortini Brown's retirement from Princeton, where she spent her career. Fortini Brown was dissertation advisor to both editors of the volume.
The filmmaker's handbook : a comprehensive guide for the digital age / Steven Ascher & Edward Pincus ; drawings by Carol Keller and Robert Brun ; original photographs by Ted Spagna and Stephen McCarthy completely revised and updated by Steven Ascher With contributions by David Leitner.
New York, New York : Plume 
Abstract: The authoritative guide to producing, directing, shooting, editing, and distributing your video or film. Widely acknowledged as the 'bible' of video and film production, and used in courses around the world, The filmmaker's handbook is now updated with the latest advances in HD and new digital formats. For students and teachers, professionals and novices, this indispensable handbook covers all aspects of moviemaking
New York : Farrar, Straus and Giroux 2012
Abstract: The Spirit Catches You and You Fall Down explores the clash between a small county hospital in California and a refugee family from Laos over the care of Lia Lee, a Hmong child diagnosed with severe epilepsy. Lia's parents and her doctors both wanted what was best for Lia, but the lack of understanding between them led to tragedy. Winner of the National Book Critics Circle Award for Nonfiction, the Los Angeles Times Book Prize for Current Interest, and the Salon Book Award, Anne Fadiman's compassionate account of this cultural impasse is literary journalism at its finest. -- Provided by Publisher on back cover.